Marley in Boston 7/75
"Bob Marley: Reggae Is Another Bag" - By Eric Benjamin,
originally published on July 9, 1975
Reggae! "The word is the music,"
says Bob Marley, leader of Jamaica's premier band The Wailers.
"Before the music there was no word "Reggae".
It is people's music, born out of the ghettoes of Old Kingston
and Trenchtown.
Protesting, bitter, it bounces with the voice of the people
who cry to Haile Selassie, Christ returned, to bring Righteousness
to the Ethiopians living in Jamaica.
Reggae is the blues, American R&B,
West Indian, and Calypso musics all grown in the Earth,
mellowed, and then worked around three or four simple chords.
Like the blues, to which Bob Marley attributes some of his
roots, Reggae is a music both for the liberation of the
self -- and the people.
And while the blues rarely strays from discussing loves
and disappointments, reggae is a tale of revolution, oppression,
and violence.
It is music, politics, and culture which in one package
tells of the black Jamaicans' opposition to their government.
The Rastafariah, the Brotherhood
to which Marley belongs, looks to the East for Deliverance.
To the Lion of Judah, Haile Selassie, deposed Emperor of
Ethiopia, who Rastas claim, will gather all the poor unto
him for liberation.
And reggae, like the herb -- the
giant spliffs of grass and tobacco the Brothers smoke, is
an important part of this revolutionary Jamaican culture.
"How does my music relate to righteousness?"
Marley says repeating my question, making it seem trite,
"Music is righteousness. It is like a guide. Once you start
to know anything about Reggae music, then you start to feel
the roots of the Earth." Bob Marley speaks very fast; words,
sentences, phrases all jumbled together....
One observer remarked that his language was about one-third
English, one-third slang, and one-third swears. But even
if he were just pronouncing his name, the Reggae within
him would give it a rhythm. His writing is poetry. Not a
high Romantic or Yeats trip for sure, but as much poetry
as can be felt by any man who writes from the soul. His
phrasing, his diction all are Reggae and are noticeably
different from Americanese.
A song about a sad affair is "No Woman - No Cry." Four telling
words that rhythmically bite, "Lively Up Yourself," again
a simple thought, over simple music.
But to the oppressed it is a call for jubilation. "Singing
guard me," says Marley. "When I sing I feel free. Sometime
it should feel nice, feel good. Sometime your mood not steady,
then is good to sing."
According to Marley, he and the band have been nearly continuously
on tour for the last five years. He doesn't know anything
more of Boston and won't than the Terrace Motel and Paul's
Mall. Then, next week he'll be in San Francisco, then across
the ocean to England and back to Jamaica to cut some new
tunes.
When we arrived in Boston at the Terrace, Bob and Brother
Mike, who travels with the band as Spiritual Advisor and
cook, were playing soccer in the parking lot. And going
at it quite whole-heartedly, Marley wearing spikes and clunking
across the concrete lot, Brother Mike in sneakers.
Asked for the interview Marley says
he'd be glad to talk right after he exercises - he tries
to exercise every day.
After they work out we retire to Marley's room where Mike
goes to work on the Waring Blender preparing carrot juice
first, then a mixture of carrots, oranges, and tangerines.
"Hey, these plenty fertilized," says Marley while holding
up a fairly crumpled carrot. (Rastas don't use fertilizer,
preferring natural growth.)
We sit down in the kitchenette, roughly face to face, and
Marley begins. "Some background about Jamaica" he offers
-- "Governments beat other people too hard. But Jamaica
is nice place, mun.
But people are fucked. The people
should be free, and I mean free. I mean they can live "free"
if they want to live like a middle class. But me personally
can't accept that." "What is it in Jamaica that you can't
do?" "Home there are people who can not even go out on the
street without going to jail. Just for how he look he can
go to jail.
They publicize that the Rasta bad, and all that shit. All
the Rastafariah wants is to live with love.
If you live with love, you live forever, as His Imperial
Majesty Almighty God.
" "It's a religion?" "It's a reality."
We pause and look at each other. Marley is an outlaw in
his country.
His dreadlocks, his speech, his manners, all speak for him,
and against Babylon, the Jamaican government.
Psalm 87, Brother Mike later showed me, alludes to the coming
of the new Christ from Ethiopia and tells how he will topple
Babylon, Selassie will gather all the poor, and then the
last shall be firstS.This is the revolution Marley and his
Brothers are waiting for.
Marley is not thinking in terms of politics or music, his
"reality" conflicts with Babylon at a much deeper level.
"The government's the Devil," says Marley and the quiet
is broken.
"The government compete against God -- the politics," he
spits out, gesturing towards the ceiling, and then he speaks
very quickly.
"I'm involved with every corner of the Earth, mun. So we
talk about any leader anywhere, I shoot him cause he's wrong.
We want people to be Righteous, and we want that Righteousness
rule the Earth.
And I mean all this politics and the Devil -- they have
us fooled.
There's nothing (in their scheme) to work towards. We live
now, and when we die we have eternal life. This is what
they tell us. This is what the church says.
(In "Talkin' Blues" Marley sings "I feel like bombing a
church, now that I know the preacher is lying.")
"But there is no leader on Earth who leads a good life.
There is no one who rules with acts of love. Y'know what
I mean, mun? None of them know what's it's about -
"We're gonna make a new law,' they say, 'and build
two more prisons.' This is the future, they say. They say
they know the future. This is the way of the west," says
Marley, "But the West don't have no future.
" Well, then, isn't there a certain futility in doing your
music?" "I play it for the youth, who can live in Righteousness
but the big people cut you too much already. Them I feel
fed up about. They learn too much about robbing things already.
But the youth must know." "All the church teaches is that
you die and go to Heaven," he repeats, "but the Bible says
the gift of God is ever living life. Well, I cannot understand
why they carry on saying a person dead. Everything that
(the Bible) says is bad they go out and do it. And them
eat crab, them eat pork, them eat shrimps, they eat everything
the Bible say they mustn't eat. You can not be really free
in the mind if you eat all the things that are badS."
"What do you eat, fruits and vegetables?"
"No, I eat food.
Fruits, vegetables, what the Bible says we should eat.
Like we don't eat shrimps, crabs, lobsters, and fish without
scales.
What about the use of herb?
A lot of people in America smoke herb just to get high,
they don't see anything spiritual in the experienceS.
Do you believe in it a lot more seriously than 'getting
high'?"
Yeah, mun. When you smoke herb you don't just get high.
Yeah, though there is kicks there, it flows, yeah.
I can't inject beauty into things if you just want kicks,
I meet plenty people who say 'why can't I get any hash?'
And they have some and they say, 'Hey mun, you want some?'
And I say no. They say 'I don't like herb, why can't we
get any hash.' They just want the kicks."
"There is a difference in the herb",
he explains.
"When you let the herb inside of you, the spirit of the
herb becomes part of you.
Good herb manifests a good spirit, bad herb is Devil's work.
(As is hash-derived from herb, but not herb. Therefore,
blasphemy.)
"It is bad to grow it in fertilizer. It just puts something
into it (the plant). It is forced, not of the Earth. Makes
it grow quick.
You see, herb, even to make it in a pipe is bad. Should
burn slow. People don't have enough time to go out to nature
and get some coconut shells, burn them, get the Palm bowl,
you put the fire on top, and you steam the herb with water
underneath. You don't light it. You just steam it so you
get natural steam.
"And food, mun is very important, too. When you drive down
streets in Jamaica you see food. Mango trees, tangerines
bigger than you ever see here. In Jamaica they grow wild.
I would wake up in the morning to bring food to my grandmother
and grandfather. I go to tangerine tree - a big tangerine
tree growing wild and I eat dozens of tangerines, mun. I
don't get that no more.
Today, as a Rasta, I am considered to be an outlaw in Jamaica
because I smoke herb.
And the law says I can't smoke herbS."
Feeling giddy from the huge spliff we've been working on,
I remark.
"Somehow, I just don't feel oppressed, though I could be
arrested right here."
"Don't feel oppressed?" drawls Marley slowly.
"In America, you don't feel oppressed?"
"No" (Weakly).
"People don't get oppressed because of the material things.
You have material things, you have a job, you have food
and money. And all that oppresses you.
Most people who go to church don't think they get oppressed
at all. Look out!
Inside they a different type than I. And that must change.
"The Devil is in charge and he don't get oppressed," says
Marley, looking towards Brother Mike. Mike is holding their
Bible, which has a picture of Haile Selassie on the cover.
Mike is oppressed - like Bob - and shakes his head from
side to side.
"The writer is incurably hopeless," he thinks, but no one
is speaking now. Then Marley looks me in the eye, and slowly
and deliberately says "Don't get oppressed? Don't fuck around!"
And that's all he says.
He laughs, walks over to the door and looks at the Boston
skyline, all blue and gold in the afternoon brightness and
sings.
"You've got to lively up yourself, and don't be no drag."
"You've got to lively up yourself cause reggae is another
bag."
Finished singing, he sits down in the kitchenette and sips
on some juice.
Bob Marley
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